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He sat by the table in his dressing-room with angry storm-swept countenance. He had been capturing loud plaudits with his rag-time, until intoxicated with success, he swept into a tornado of music by Moskowski. The applause died away; two ladies in the front row began chatting. The enraged artist jumped from the piano-stool, and shouting “Pigs!” raced from the platform. Every morning during the summer a bunch of morning-glories, wet with dew, adorned the breakfast table. Blue and pink and white, they seemed the very spirit of morning freshness and sweetness. From the lower slopes of the Cedar Hills issued many wide wooded ravines. Of these none were prettier than Spring Coulee which even in winter retained its attractiveness, having a goodly sprinkling of evergreen trees among the poplars and cottonwoods lining its sides. A grassy level formed the bottom of the coulee. Through the centre of this a little crystal-clear stream, rising in the hills behind and swelled by an occasional spring which gushed from the sides of the ravine, danced over its pebbly bed to join Berry Creek a mile away..

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Now the band came up, a troop of boys in gorgeous uniforms made of red calico and tinsel paper. A drum and fife kept tolerable time; but the wheezy harmonicas and paper-covered combs, the tin horns and clanging triangles, quite “covered” any tune the fife attempted. Yet what matter? It was a joyful noise; and even the horses kept step to the valiant drum. St. Elmo Mifsud, his angelic face framed in silky curls, now became the prey to the machinations of Pete Solway, who had eluded the vigilant eye of Mrs. Wopp during her dramatic recital. A roar of pain escaped the child as a sharp tweak was applied to his curls. Recalled to matters entirely mundane, the teacher administered severe reproof. “Now, Mose, fer the elbow. Stiddy! Don’t shove! Don’t pull! Hole her stiddy!” CHAPTER VII.—THE LITTLE CHURCH IN THE COULEE..